A Few Good Shots from Die Hard:2

In order to discuss some examples of denotative and connotative meaning in shot progression, consider a series of clips from the film Die Hard: 2, and focus on the main character, played by Bruce Willis. We will look in particular at a long-shot, a medium shot and a close-up shot. The frames discussed were not shot in exact basic shot progression, and nor do they transition consecutively, but their meaning is effectively conveyed non-the-less. The scene chosen is at a point were the plot is thickening, and the progress of the director's decisions are used to maximize suspense and excitement.
 

We will enter into the film at 1:13:57. Bruce Willis' character is standing at the bottom of a ladder and he seems to be under ground. He has run up to the ladder well, and looks up. Snow falls from above, giving the viewer the idea that the outdoors are above the ladder. The camera shoots a long shot from the top of the ladder looking down. Not only is this a long shot but it is shot from above with a high camera angle. This is effective in showing the viewer his denoted orientation, being far from the camera; and also his connotative predicament, being far from his goal.
 

The next frame starts at about 1:13:59, the camera is at a medium shot, starting with focus on his torso and hands, then tilting up and to the right. From this shot we can gather that he is preparing to fight by making sure his gun is loaded. He also says the line, "come to papa scum bag." The action cuts to a pilot and plane flying through a snowy, stormy winter sky, into the direction of the grate that our hero is going to emerge from.
 

The last shot we will refer to is when Willis emerges from the grate as the plane is heading towards him. The close up occurs at 1:14:57. He is physically stuck under the metal grate, straining to lift it. This is an important hurdle he must clear in his effort to survive. Some of the connotative details the viewer can see include sweat as he is pressured to hurry, strain as he pushes against the grate, and the urgency and awe in his eyes as he struggles to get free. These are clearly important to his survival.

While the references here are made towards only a few seconds worth of shots, their meanings are important. Sometimes meaning can become convoluted but shots must be carefully chosen to utilize frame aspect to their fullest. 

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